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Django Unchained is the soundtrack to Quentin Tarantino's motion picture Django Unchained. It was originally released on December 18, 2012. The soundtrack uses a variety of music genres, relying heavily on spaghetti western soundtrack.
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Powerdvd player 13 free download full version for windows 7. Tracks composed for the film are '100 Black Coffins' by Rick Ross and produced by and featuring Jamie Foxx, 'Who Did That To You?' by John Legend, 'Freedom' by Anthony Hamilton and Elayna Boynton, 'Ancora Qui' by Ennio Morricone and Elisa. These four songs were all eligible for an Academy Awardnomination in the Best Original Song category, but none of them were nominated.
The soundtrack also includes seven tracks that are dialogue excerpts from the film. It was nominated for a Grammy Award for Best Compilation Soundtrack for Visual Media.
Film music not included on the album
- 'Rito Finale' - Ennio Morricone
- 'Norme Con Ironie' - Ennio Morricone
- 'Town of Silence (2nd Version)' - Luis Bacalov
- 'Gavotte' - Grace Collins
- 'Town of Silence' - Luis Bacalov
- 'Requiem and Prologue' - Masamichi Amano & Warsaw Philharmonic Orchestra
- 'The Big Risk' - Ennio Morricone
- 'Minacciosamente Lontano' - Ennio Morricone
- 'Blue Dark Waltz' - Luis Bacalov
- 'Für Elise' - Ashley Toman
- 'Freedom (Motherless Child)' (edited from Woodstock: Music from the Original Soundtrack and More) - Richie Havens
- 'Ain't No Grave (Black Opium Remix) 'J2 and Steven Stern' - Johnny Cash
- 'Dopo la congiura' - Ennio Morricone
Chart positions
Weekly charts
| Year-end charts[edit]
|
Certifications
Region | Certification | Certified units/Sales |
---|---|---|
Italy (FIMI) | Gold | 30,000* |
*sales figures based on certification alone ^shipments figures based on certification alone |
Singles
Individual tracks have been released as singles and charted on a number of official charts.
Year | Single | Peak positions | ||||
---|---|---|---|---|---|---|
US | AUT | FRA | SUI | |||
2012 | 'Freedom' (Anthony Hamilton & Elayna Boynton) | 46 | 28 | 32 | ||
2013 | 'Django' (Luis Bacalov & Rocky Roberts) | 85 |
Personnel
- Executive Music Producer:Quentin Tarantino
- Music Supervisor: Mary Ramos
- Soundtrack Producers:Stacey Sher, Reginald Hudlin, Pilar Savone, and Holly Adams
- Label Soundtrack Producer: Tom Whalley
Critical reaction
Despite the fact that the soundtrack was acclaimed by critics, Ennio Morricone, who composed a brand new song for Django Unchained, stated that Tarantino used the music “without coherence” and he 'wouldn’t like to work with him again, on anything'. That was the first collaboration between the Italian composer and the American filmmaker, even though Tarantino had used Morricone's music in Kill Bill, Death Proof, and Inglourious Basterds. Ennio Morricone quickly released a statement clarifying that his remarks were taken out of context, Morricone said that he has 'great respect for Tarantino' and that he is 'glad he chooses my music' Morricone also said that because Tarantino chooses his music 'it is a sign of artistic brotherhood' Morricone went on to compose the score to Tarantino's next film, The Hateful Eight.
In a scholarly essay on the film's music, Hollis Robbins notes that the vast majority of film music borrowings come from films made between 1966 and 1974 and argues that the political and musical resonances of these allusions situate Django Unchained squarely in the Vietnam and Watergate era, during the rise and decline of Black Power cinema.
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Copyright © ℗ 2012 Visiona Romantica, Inc/Loma Vista Recordings
Django Unchained (soundtrack) | ||||
---|---|---|---|---|
Soundtrack album by Various Artists | ||||
Released | December 18, 2012 | |||
Length | 59:16 | |||
Label | Universal Republic/Loma Vista Recordings | |||
Quentin Tarantino film soundtrack chronology | ||||
| ||||
Singles from Django Unchained (soundtrack) |
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic | |
Artistdirect | |
Digital Spy | |
Now | |
Pitchfork Media | (5.8/10) |
Rolling Stone | |
The Courier-Journal | |
The Telegraph |
Soundtrack Information
![Soundtrack Soundtrack](/uploads/1/2/6/4/126404638/338565183.jpg)
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Music From
Music By
- Various Artists
Purchase Soundtrack
Track Listing
1. | The Last Race (Jack Nitzsche) | 2. | Baby, It's You (Smith) | 3. | Paranoia Prima (Ennio Morricone) | 4. | Planning & Scheming (Eli Roth & Michael Bacall) | 5. | Jeppster (T Rex) | 6. | CD, MP3, ITUNES ONLY: Stuntman Mike (Rose McGowan & Kurt Russell) | 7. | Staggolee (Pacific Gas & Electric) | 8. | The Love You Save (May Be Your Own) (Joe Tex) | 9. | Good Love, Bad Love (Eddie Floyd) | 10. | Down in Mexico (The Coasters) | 11. | Hold Tight (Dave Dee, Dozy, Beaky, Mick & Tich) | 12. | Sally and Jack (from Blowout) (Pino Donaggio) | 13. | It's So Easy (Willy DeVille) | 14. | Whatever-However (Tracie Thoms & Zoe Bell) | 15. | Riot in Thunder Alley (Eddit Beram) | 16. | Chick Habit (April March) | Total Album Time: | 38:15 |
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Review: Grindhouse: Death Proof
Death Proof is the second segment of the exploitation double-feature Grindhouse, Quentin Tarantino's tribute to 'car' movies of time, like Gone in 60 Seconds and Vanishing Point (which both directly referenced in the movie). It's a concentrated dose of 70's nostalgia filtered through that uniquely familiar QT filter.
This album is everything you're expecting from a Tarantino soundtrack, except it's a simpler, more focused soundtrack that distills a more specific aspect of his musical preferences. While Jackie Brown focused more on funk and blaxpoitation music, Death Proof emphasizes Tarantino's love of 70's roadhouse rock. The movie literally takes place in supercharged cars and bars, so there's a bunch of rousing foot stomping 70's tunes (T.Rex's 'Jeepster' and Pacific Gas & Electric's 'Staggolee') with a little bit on the verge of the 80's ('It's So Easy'). Like Kill Bill, there are several references to movie scores by Italian composers. This time it is from Ennio Morricone's Cat o' Nine Tails ('Paranoia Prima') and Pino Donnagio's Blow Out ('Sally And Jack'). In true fashion, you have some cruising 60's surfer rock for opening titles (Jack Nitzsche 'The Last Race'), some low-key R& B ('The Love You Save (May Be Your Own)' and 'Baby, It's You') and some funk ('Down In Mexico'). And of course, some audio clips from the movie - otherwise it wouldn't be a Tarantino album.
This album is everything you're expecting from a Tarantino soundtrack, except it's a simpler, more focused soundtrack that distills a more specific aspect of his musical preferences. While Jackie Brown focused more on funk and blaxpoitation music, Death Proof emphasizes Tarantino's love of 70's roadhouse rock. The movie literally takes place in supercharged cars and bars, so there's a bunch of rousing foot stomping 70's tunes (T.Rex's 'Jeepster' and Pacific Gas & Electric's 'Staggolee') with a little bit on the verge of the 80's ('It's So Easy'). Like Kill Bill, there are several references to movie scores by Italian composers. This time it is from Ennio Morricone's Cat o' Nine Tails ('Paranoia Prima') and Pino Donnagio's Blow Out ('Sally And Jack'). In true fashion, you have some cruising 60's surfer rock for opening titles (Jack Nitzsche 'The Last Race'), some low-key R& B ('The Love You Save (May Be Your Own)' and 'Baby, It's You') and some funk ('Down In Mexico'). And of course, some audio clips from the movie - otherwise it wouldn't be a Tarantino album.
It also wouldn't be a Tarantino album if there weren't at least two or three obscure songs that he makes iconic. Songs so specifically placed that we can no longer associate them with anything else. This time it is Dave Dee, Dozy, Beaky, Mick & Tich's 'Hold Tight' and the bouncy closing credits track, April March's 'Chick Habit.' 'Hold Tight' is a breezy 60's Brit Rock with a great bass rhythm and Tarantino loves his syncopated drumbeats. The song (played right before the first car wreck) is reinterpreted as a creepy ode to obsession (like the dead on use of'Hurdy Gurdy Man' in Zodiac). Meanwhile the cheeky 'Chick Habit' is a remake of a 1960's of the France Gall/Serge Gainsbourg song, only this time in English. You know that within itself would tickle Tarantino's fancy. It clearly states the moral of the story, telling Stuntman Mike to 'hang up the Chick Habit' as he gets his well-deserved comeuppance.
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This is not one of the great Tarantino soundtracks but then again, he has never had a bad one. The movie (and the album) is meant as a fun indulgence and to use an Austin metaphor, if Kill Bill is a full Salt Lick plate of ribs and brisket, Death Proof is a great order of queso and chips from Kerby Lane.
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